Golam Rabbany Biplob动态新闻_Golam Rabbany Biplob演出行程
Filmmaker Golam Rabbany Biplob and poet Hasan Mahmud are going to participate in a film festival titled Avanca Film Festival in Portugal,...
The distinct voice from Bangladesh 2014年12月10日更新The festival is high in quality in terms of both cinema and audience. This is what Bangladeshi filmmaker Golam Rabbany Biplob, who is in the...
'Doob' to represent Bangladesh in the Academy Awards 2018年9月24日更新Bangladeshi filmmaker Mostofa Sarwar Farooki's film Doob (No Bed of Roses) is going to represent Bangladesh in the foreign movie category of...
Bangladesh’s Impress Group Launches Project to Back Young Filmmakers 2013年4月5日更新The South Asian country's leading media conglomerate will finance and distribute the feature debuts of six emerging local directors.
Selim Ahmed remembered 2021年1月23日更新Actor, art director and book cover designer Selim Ahmed was remembered at a programme held at the Seminar Room of Bangladesh Shilpakala...
Exclusive poster of film Pritilata released: Biplob Saha as art director 2021年7月28日更新The poster of the ambitious film project, had been released a day before Eid ul Azha 2021 and the mastermind behind the poster preparations had been none...
130 artistes sign statement demanding unconditional release of ‘Saturday Afternoon’ 2022年11月15日更新Be it film, fiction, music or any other cultural activity, in recent times, the cultural arena has been facing various obstacles—which has...
Channel i launches “Iti, Tomari Dhaka” 2018年4月14日更新Channel i has launched a new film initiative being dubbed as a 'Bangladeshi Omnibus Film Project' with 11 talented young directors, to.
Komola going to the Oscars 2012年9月20日更新A scene from a€?Ghetu Putra Kamolaa€ .Bangladesh has nominated “Ghetu Putra Kamola” to compete at the Oscars in the 'Best Foreign Language...
“Third Person Singular Number” to represent Bangladesh at the 83rd Oscars 2010年9月23日更新Third Person Singular Number” has been screened at several notable international film festivals and attainted much acclaim for Farooki.
